
Feed the Herd Theatre Company and Timothy Haskell present
Dark Dizayz
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There will come a time when Vampires, Pimps, Hoes and Aliens will walk the Earth together. So it is written and so it shall be. It is coming....
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by Kevin Kaine
September 5th-21st, 2002
(opened by the commedia del bestia of Kevin Maher.)
The Trilogy Theatre (located at 341 W. 44th St., 2nd Floor). Opens Thursday, September 5th and running through September 21st Thursday-Saturday at 8 PM. Tickets are $15 and can be reserved by calling 212.501.2282
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Dark Dizayz is an absurd play with a cult-classic aesthetic that is part "Pimps Up, Ho's Down", part "Shadow of the Vampire" and a tinge of "Being John Malkovich". Mixed together its a hilarious look at one very odd evening for the seedy denizens of an underground subculture. Take love,confuse it with a yearning for blood, add a couple vampires and and intergalactic encounter, and you've got an outrageous comedy about a john, his prostitute, and her past that's equal parts whore and horror. It's a dark comedy for Dark Dizayz.
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Dark Dizayz is being co-directed by Alexandre "Dreguesay" Correia and Brian "Snizzy" Snapp with Costume Design by Eva "Hizzy" Hageman and Starring: Anne "H to the Izzoe" Winkles, Kevin "Kizzy" Kaine, Jamie "Yunny Tibbs" Benge, Jermaine "Gentlechild" Chambers and Mike "Dizonk" Weiss. The show incorporates multimedia and the fabulous new video hit on the hip-hop underground, "Cutie Dyke". WARNING: Explicit lyrics and sexual situations. The run of Dark Dizayz at the Trilogy Theatre will be accompanied by an invited guest, Kevin Maher, ex-TV Head co-founder and the perfect example of the multi-character one-man show Lone Drifter. He'll perform some deviants from his acclaimed Lone Drifter, as well as present original sketches for the first time.
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Feed the Herd
Theatre Company was formed in late 1997. Their
mission this season is to define the dimensions of
perspective and how the medium of theatre can shift
perspectives in character, story, and point-of-view.
Past productions have included their annual Harvest
and Stampede festivals, Seven Seconds and The Blank
Line. In the Herd brand of theatre, nothing needs be
what it seems. It seems to be what it needs.
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